Dandy Lion, a Slimline Card

 Dandy Lion, a Slimline Card

Hi and Welcome to my blog!

I've been making up quite a few cards this month.  I wanted to share one with you.

I got this dandelion die from The Scrapman. you can see his stuff online and also online at Frantic Stamper.com.
I love his dies as many are steampunk in origin and all are unique (I think he comes from Russia maybe?)

This is a standard slimline card made with white cardstock and layered with silver cardstock (has a linen texture) and a blue cardstock and then with patterned paper (CC). The center strip is from Craft Consortium.

I made both tags in blue and matted them onto the same silver card I used on the card base. I die cut the letters from the silver also and mounted them onto the tags.
I die cut the dandelion from the same silver linen card and added to my card with some foam squares - but glued the base directly to the card.
I added some hearts and yellow pearls to finish. (I got the hearts and the little circle sentiments from 49 and Market - their Vintage Artistry line. (The ones I have are about 1 1/2 years old. I do see the Vintage Artistry Line with new additions.)

Thanks for stopping by,

Lis

La Mode - an Arty Tag

Today I received a box from Fran!  And in that box was a set of new paints by Paper Artsy called Fresco Paints.  I had seen these on the site and really wanted them.  I think the word "fresco" drew me in...LOL.  

So, how to try out my new paints? I decided to make a tag with a paint background.  I chose some of the colors - some blues and a pretty cream color, got out my cosmetic wedges and pulled out some card stock.  I made my own tag (6 x 3 1/2 inches) this time because I wanted a larger size to work with.

I chose a few Frantic Stamper stamps to work with including a tag stamp.  Before I started painting I stamped my tag stamp onto some paper and made a mask and placed that on the bigger tag.

This paint is so nice!  It's creamy and covers really well.  The colors mix well also. I was able to blend while wet easily.

After I got my color background done, I stamped the shoe stamp randomly onto my tag.  I used the new Tim Holtz colors in Distress Markers to color my stamped shoe images.  I wasn't sure if this would work but it worked really well. The distress markers were transparent but you could easily see the colors over top of the paint which was very cool.  As my final step, I used the Pearl Glaze from the Fresco paints and applied a thin layer over my entire tag.  It was gorgeous!  The paint went on very smoothly and dried quickly. It left a really nice pearly shimmer.

To complete my tag: I removed the mask from the tag.  I cut some washi papers and added them onto my card with glue stick.  I had an old post card which I added to the bottom of my tag and then trimmed off.  I added some crochet ribbon to cover the seam.  I stamped La Mode (also Frantic Stamper) at the bottom on the post card.  I added Viva Decor Pearl Pen pearls to the smaller tag.  I added two colors of ribbon to the larger tag and fastened them with a small brad.

That was fun! 

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Shabby Victorian Tag

Shabby Tag with Violet Suede Paper
by Lis Whiting 

I've been having a lot of fun working with suede paper lately.  It's a beautiful paper that actually has a very soft tactile feel - like suede.  It comes in some beautiful colors too!

I started with a Sizzix TIme Holtz die for my tag and used the movers and shapers to add a cut out of a Victorian lady cameo (also Sizzix).  My tag base is ivory cardstock and the entire front is covered in violet suede paper with the cameo cut out.

Following are close ups of the tag in sections with comments.

I used stick pins at the top. It makes the tag a little longer but I thought it needed something.  What better to go with a Victorian cameo than stick pins!

I had a little brass key that I looped the ribbon through.  I also wrapped a single paper flower around the key.

For my cameo, I took some images (color) and basically collaged them to fit behind the opening.  I then cut a piece of acetate to fit.  I glued the acetate to the collage art with Glossy Accents and glued the whole thing to the back of the suede paper so it would show through.  Then I glued the suede paper to my tag base. (I added a single pearl to the "hairpiece" - looks good!)

I have three layers at the bottom of my tag: lace, ribbon and pearls. All three birds are wood, and adhered with mounting tape.

Here is another view so that you can see the dimension of the tag,

Thanks for stopping by!  I hope you try out some suede paper on your next project!

Lis

Embossing Techniques

Once I figured out how to heat emboss successfully (I took a class), I really loved it!  My article today is where I started looking at the world through powdery eyes!

I am going to show several projects, each with a different "outside the box" technique.  I now label my particular brand of embossing as "freeform embossing" and that means anything goes! (Note: For all embossing I used Versamark)

1. Gilded

The main punch to this card is the background.  It is gold embossed onto black linen card stock and matted onto gold foil paper which is layered onto a black A2 card base.

The Embossing:

• Background: 
• I took my versamark pad and swiped the edge of it at an angle across my card stock (5 x 3 3/4 inches).  I used fine gold embossing powder and heated with a heat gun.
• Flowers:
• I took paper flowers and dabbed each one against the versamark pad.  (I rolled the tulips on their sides on the pad also.) I then held the flower by its wire stem and dipped it into the gold embossing powder.  I heat embossed all fowers one at a time so that I could carefully monitor each flower to assure it didn't burn.  There was no problem at all.  I would be very careful about trying this with fabric flowers as the fabric may have a lower melting temperature if the fabric is faux.
• Cameo:
• I was going to emboss the cameo a little to enhance the face.  I decided not to.  If I had I would have dabbed the cameo onto the pad and used a paint brush with some versamark ink on it to add some highlights to the edges.

2. For Thought

There are actually two kinds of embossing here. 

• The Background:
• I did not use any stencils on this card.  I did use bubblewrap (BW).  I folded it up into a square, dabbed the versamark on one side and used the BW like a stamp.  I added gold embossing powder and heat embossed. It worked very nicely.  Remember that BW comes in different sizes.

• The Hours:
• If you look at the queen above, she is gazing at a white metal flower inside a cicrle of roman numerals.  The numerals are embossed with clear embossing powder.
• I think sometimes this method can be a little forgotten.  I know I do because I like to use gold so much.
• The trick to embossing with clear embossing powder is using colored ink that will not dry too quickly.  Distress ink is really good for this,  especially now that they have some really vivid colors added to the line.
• Stamp your image onto your paper with colored ink.  Cover with clear embossing powder and heat emboss.  What always thrills me is when the clear embossing powder starts to melt and reveals the beautiful color underneath!

3. Muse

There are technically two kinds of embossing in this card: dry embossing (the yellow background) and the gold lines on the tag (heat embossing). 

My experiment:

I used a piece of card stock (white) and covered that with CROCO in Copper.  This paint works similarly to the Crackle paint that Range sells.  I happened to want to try this brand out so I used it on this project.  I helped out the cracking with my heat gun.  Once dry, I took a Versamark pen and started tracing the cracks.  I added gold embossing powder.  I was able to brush away the excess powder (there was a lot) using a foam brush.  The powder that remained was in the cracks.  I heat embossed the powder until it melted.

Things to remember: The embossing powder was a little thicker in this porject and took longer to melt so I had to be really careful with the crackle paint beneath.  I did end up with a couple of bubbles which I thought added to my piece.

I started with an A2 sized piece of card stock. Once everything was dry, I cut out my tag choosing the section that most appealed to me.

4. Miss You

My last card uses nature as the tool to create some beautiful textures and images on my card.  I went outside and pulled off a couple leaves (one large and one small-I didn't use the small one on this project but you can see the other card I made using the small leaf on my blog: www.madeforpaper.blogspot.com). I also decided to use a piece of branch from a tree (The image is in silver below).

I used my VersaMark pad and did some test embossing first to decide which side of the leaf I wanted to use to get the best image.  I used the back side.  Then I coated the back of the leaf with VersaMark ink and pressed it gently onto my paper.  I learned that if I press with my fingers I get a fingerprint image also.  I tried a papertowel folded up which worked well.  I was worried about getting the ink on my fingers (you know what happens when you then handle the paper) so I was very careful - but in the end I had to use my hands.

Close Up!

I started by applying the fir tree image across the bottom of my paper and then embossing in silver.  Then I embossed my leaves in gold.  The gold is overembossed (my term) onto the silver.

Here is another good look at the leaves. Didn't they turn out good? (Although I wish that I could have gotten more veining to come through. Next time I will choose a more veined leaf.)

I hope that you enjoyed our little journey through some embossing techniques and that you will try some of these in your art!

Lis